Inspired by the potency of art appropriation practices by feminist artists from The Pictures Generation, the work appropriates the elements of corporate environment as well as the canonical works of contemporary western male artists, to explore the questions of otherness, alterity, alienation and belonging through the context of nonhuman subjectivity, and invite further inquiry into the nature of contemporary pop culture and its innate and seemingly benign customs, etiquettes, processes and codes upholding and reproducing the western systems of power.
Emulating the form of a Zoom call, but with nonhuman participants, the work approaches the difficult and complicated themes with a mix of humor, anger, and tenderness.